Ok, I have just sent off my paper proposal for the Hamburg conference in September. Hope they’ll like it!
My proposed topic is called “Reframing the Gothic: Narration and Reflexivity in House of Leaves and The Southern Reach Trilogy”. In one sentence, I claim that both of these works use fantasy techniques to confuse readers. Let me elaborate that a bit:
Nearly all fantasy literature features a secondary world – a complete world which is not crucial for the story per se, but which gives us nice and interesting background information about flora, fauna and all those bits of history in between. In fantasy, this technique is used to make the world appear real.
Now Mark Z. Danielewski’s House of Leaves and Jeff VanderMeer’s The Southern Reach Trilogy both also feature extensive background information that lurks around the corners of the main story. Yet instead of making the worlds of the House or Area X appear to be real, they add to their irreality. Why do we have all those footnotes and excerpts from diaries in House of Leaves? Why do we learn of the true implications of the twelfth expedition into Area X (and what really happened to the eleventh) only when it is already too late?
In both of these texts, the world continues off-page, but you don’t want to leave the marked paths…